Color Management for Digital Photographers For Dummies

By Ted Padova

  • Shows electronic picture lovers find out how to make sure that the colour in a picture dossier is adequately represented and reproduced, from digicam or scanner to observe or printer
  • Packed with colour administration suggestions that might aid newbies create picture-perfect images
  • Discusses the most elements of colour administration together with realizing mild, matching electronic photographs to monitors and prints, operating with colour areas, calibrating a printer, and utilizing colour administration tools
  • Familiarizes readers with a number of the colour administration instruments that aid calibrate constant photograph quality

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111 Correcting photo Contrast.......................................................................... 111 solving distinction issues of the car distinction Command ................ 114 operating with the Brightness/Contrast Command ................................... 117 enhancing distinction with regulate colour Curves ......................................... 121 utilizing the Shadows/Highlights device to regulate Contrast.......................... 124 touring again in Time with the Undo Command ................................... 131 bankruptcy 7: utilizing Adjustment Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . 133 including Adjustment Layers on your enhancing Arsenal ................................ 134 growing Adjustment Layers ....................................................................... 134 operating with Adjustment Layers............................................................... 136 altering the opacity of layers ......................................................... 137 relocating adjustment layers among documents ......................................... 137 selecting a layer mixing mode ...................................................... 139 Correcting snapshot distinction with a Curves Adjustment Layer................. 139 expanding snapshot distinction ................................................................. one hundred forty decreasing picture contrast................................................................... a hundred and forty four half III: colour Corrections .......................................... 149 bankruptcy eight: making a choice on colour difficulties . . . . . . . . . . . . . . . . . . . . . . . . . . 151 deciding upon a Colorcast................................................................................. 151 studying reminiscence shades ....................................................................... 153 Getting acquainted with colour Saturation...................................................... one hundred fifty five xi xii colour administration for electronic Photographers For Dummies bankruptcy nine: colour Correcting dermis Tones . . . . . . . . . . . . . . . . . . . . . . . . 157 Correcting pores and skin Tones.................................................................................. 157 utilizing the Hue/Saturation device ................................................................... 164 knowing the Hue/Saturation conversation field ............................... 164 modifying Hue/Saturation ...................................................................... a hundred sixty five removal a Colorcast.................................................................................. 173 bankruptcy 10: utilizing degrees and colour adaptations to Make colour Corrections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 179 utilizing degrees for colour Correction.............................................................. 179 Correcting colour by utilizing Levels...................................................... 181 reading the degrees adjustments.................................................... 184 operating with colour Variations.................................................................... 185 Correcting colour with colour Variations............................................

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