By Witold Gombrowicz
A semi-autobiographical, satirical novel that throws into point of view all of Gombrowicz's significant literary, philosophical, mental and social matters. through the ebook Gombrowicz ridicules the self-centred pomposity of the Polish neighborhood in Argentina.
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Anything from MacMillan's Soviet technology Fiction sequence will be gladly welcomed! The sequence used to be edited by means of technology fiction author/editor Theodore Sturgeon. sooner or later i'll commence making requests for the opposite books during this sequence. See PDF web page five for checklist of others in series.
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Extra info for Trans-Atlantyk
It had its personal strengths, although, which allowed it to outlive the harsh instances; and of the entire Sarmatian genres the gawęda specifically proved terribly sturdy. even supposing gawęda used to be sometimes devoted to paper or even released, it remained basically an oral style, partially as a result of the deterioration of printing in Poland in the course of the overdue 17th and early eighteenth centuries, and in part as a result of migration of cultural existence from the warravaged towns to the provinces. The life of gawęda was once supported by means of its solid social context. regularly it was once listened to instead of learn, most commonly at convivial gatherings of gentry acquaintances at the social gathering of a marriage or funeral, on vacations, etc. As such, gawęda is characterised not just by way of its commonly oral or quasi-oral kind (hence its colloquial vocabulary, its dynamic, free-flowing, yet frequently convoluted syntax, and its wealthy use of auditory—that is, phonetic, rhythmic, and inflectional—features of speech) and by means of its copy of the real oratory styles of the common nobleman from the outdated Polish-Lithuanian Commonwealth (hence common Latinisms, ornate thrives, and the lavish use of rhetorical devices), but additionally by way of its particular viewers. the truth that any such story used to be, for all its oratory, played in entrance of a small team of listeners in household conditions gave gawęda a definite homespun, nonprofessional, but in addition own and intimate tone. the truth that the listeners have been, quite often, well-disposed neighbors, friends, and kin representing an identical social category, academic heritage, and cultural style ended in the regularly shorthandlike caliber of the narrative, that can simply do with out exhausting introductions, apart reasons, and precise references, because the viewers knew all there has been to grasp besides. nevertheless, the truth that each gawęda was once alleged to exist at the beginning as an oral functionality used to be intrinsic to its composition: because the narrator played reside, the story must not ever decelerate or get overgrown with tiring info. now not not like the present-day slapstick comedian, the common gawędziarz discovered unmarried yawn within the viewers will be his undoing. hence, his listeners needed to be bombarded by means of a continuing barrage of flowery expressions, vibrant photographs, dramatically provided scenes, sensational evidence, fascinating suspense results, and rhetorical units geared toward conserving touch with the viewers or reviving its flagging curiosity. The above-mentioned positive aspects conspired to create the instantly recognizable form of the gawęda—a type so effective, incidentally, that it tended to unfold and engulf different narrative genres, occasionally generating fascinating hybrids. The name of the recognized Memoirs of the seventeenth-century nobleman Jan Chryzostom Pasek, for example, is barely partially justified: although the narrator often seems to be again into the prior, he still stocks his memories with the reader within the attribute gawęda kind, one as colloquial and spontaneous as though he have been describing occasions really happening in his presence.